Notes

🔖 comment parade –

commentpara.de is an anonymous commenting system for the indieweb. It allows login with a free-to-type name and avatar image, and comments under this identity.

🔖 М.В. Черкасова, «КАНОН» И «АРХИВ» В СОВРЕМЕННОЙ АРХИВНОЙ НАУКЕ США. Поволжский педагогический вестник, Том 5, № 4 (17), 2017. –

Postmodernism formulated a number of new fundamental problems in the theory of historical knowledge, which mainly concerned the principles of obtaining information about historical reality and the possibility of an adequate reflection of the past. The third problem, the problem of the interpretation of historical reality by archives, is attracting increasing attention of experts from various fields of knowledge (philosophers, historians, archivists).Reconsidering the essence of the archives is connected with the works of the French philosophers J. Derrida and M. Foucault. The latter defines the archive as the law governing the system of utterances, their production, allows not to “preserveˮ or “reviveˮ the tradition, but to reveal the limitations of our own thinking: “this is the edge of time surrounding our present, overhanging it and pointing to it in its Variability, this is something that, while outside of us, limits usˮ. In his turn, the German Egyptologist, researcher of cultural memory Jan Assmann, considers the archive simply as a repository of non-canonical texts, and the canon is a set of canonical texts that set the norms for the production of new utterances.Reflections of the philosophers led to the posing of new problems in archival science. One of them is connected with the study of the power nature of the archives, which both preserve and confiscate the historical memory of the society (Joan M. Schwartz, Terry Cook, Randall S. Jimerson). At the same time, some researchers (Matienzo) call for an interdisciplinary approach to archival analysis and introduce a number of problems in the archival science from literary discussions on canons (“canonical warsˮ).

🔖 Touchless.Design –

The Touchless.Design project is under development to create tools and techniques to aid in the creation of safe, touchless interactive exhibits. Touchless.Design will host a collection of open-source software, design approaches, hardware information, and other resources. These resources will be freely available to museums, libraries, cultural organizations, and other public institutions.

This project is organized by Ideum, a vendor that provides multitouch tables and displays, and previously worked to develop Omeka Everywhere.

🔖 unthinkable thoughts: call out culture in the age of covid-19 – adrienne maree brown –

we are fearful of taking the time to be discerning, because then we may have to recognize that any of us could be seen as harmdoers. and when we are discerning, when we do step up to say wait, let’s get understanding here, we risk becoming the new target, viewed as another accomplice to harm instead of understood as a comrade in ending harm.

🔖 Netlify CMS mobile responsive CSS – truongnguyen.io

🎵 Naujawanan Baidar - Khyber Sound (From Kabul To Peshawar In Fullmoon)

🔖 SLANT 6: STRAIGHT OUTTA WASHINGTON, D.C. IN THE ’90S –

Myra and I started writing songs together and one night we were at Tastee Diner with Nation of Ulysses, who were playing a show the next day. Steve Gamboa dared us to play the show, but we didn’t have a drummer. He said he’d play drums for us if we opened. So we practiced with him all the next day before the show. Then we played our three songs, and it was a total mess.