Notes
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🔖 Karen Gregory - DATA AND MAGICK: ALEATORY TECHNOLOGIES –
While it is true that cards “speak” through the symbols or signs that they carry, we can also look to what cards can “do” or what can be “done with” cards, and we can see that a card is not entirely meaningless outside of a semiotic context. Cards, most basically, can be flipped. They can also be used, as Ian Hacking (1988) has shown, as agents of randomization, and simple playing cards were not only employed in the history of the search for telepathy, but cards as an “organizational system” (Hayles 2005, Chun 2005) played an important role in the history of computing, making possible serial functions and memory.
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🔖 Peter Molnar - The internet that took over the Internet –
The Internet is still present, but it’s shrinking. Content people really care about, customised looking homepages, carefully curated photo galleries are all diminishing. It would be fantastic to return to a world of personal websites, but that needs the love and work that used to be put into them, just like 20 years ago.
At this point in time, most people don’t seem to relate to their online content. It’s expendable. We need to make them care about it, and simpler tooling, on it’s own, will not help with the lack of emotional connection.
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just testing again…
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testing a Workflow/Working Copy note posting workflow on my iPad
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🔖 How Do Institutional Philosophies Manifest in Online Collections? –
Undertaken while the museum is closed for a transformational expansion, SFMOMA Lab is conducting a series of explorations into key questions of contemporary museumhood. As part of research focused on digital storytelling, we’re investigating how museums (and their GLAM peers) communicate internally, interinstitutionally, and, in particular, with their many audiences. We’re also interested in how an institution’s professed mission, brand identity, and culture — its philosophy — help shape the various communications, engagements, and experiences it provides for its audiences. Here we address that question by examining the ways such institutional philosophies manifest in online collection presentations at three peer museums. To help inform our internal thinking on this topic, we interviewed experts from those institutions as well as key members of the SFMOMA team. What follows is a survey of our findings and some speculation on SFMOMA’s future direction in this arena.